structure or not

August 7th, 2005

There are, I think, basically two kinds of narratives. One where the end, the act of finishing the book is the means; the second kind is where the means, the act of reading the book, is the end.

For the first kind, you feverishly read through the book to get to the end, to see how everything unfolds. It is the whole story itself that is interesting. The best example would be detective novels, Agatha Christies. There is a point to reading the book.

For the second kind, you savour each page, because each little part is a whole story condensed in itself; the form structure of the book, the narrative, is merely the means to carry all the parts together. More chaos, less structure – or structure in chaos. Murakami novels are often like this, or movies of Wong Kar Wai (hence why people don’t *get* his movies – there is no point in the end – the points are in every moment)

These are two ideal types; a good book ideally has a mixture of both, obviously. What struck me is, if books are a metaphor for life – what form structure does your life have? Live to die, or live to live?

Posted in books, thinking

2 Responses

  1. Sayumi

    What if your life were a book? What if the book were turned into a song?

    “The Book of My Life” by Sting

    Let me watch by the fire and remember my days
    And it may be a trick of the firelight
    But the flickering pages that trouble my sight
    Is a book I’m afraid to write

    It’s the book of my days, it’s the book of my life
    And it’s cut like a fruit on the blade of a knife
    And it’s all there to see as the section reveals
    There’s some sorrow in every life

    If it reads like a puzzle, a wandering maze
    Then I won’t understand ’til the end of my days
    I’m still forced to remember,
    Remember the words of my life

    There are promises broken and promises kept
    Angry words that were spoken, when I should have wept
    There’s a chapter of secrets, and words to confess
    If I lose everything that I possess
    There’s a chapter on loss and a ghost who won’t die
    There’s a chapter on love where the ink’s never dry
    There are sentences served in a prison I built out of lies.

    Though the pages are numbered
    I can’t see where they lead
    For the end is a mystery no-one can read
    In the book of my life

    There’s a chapter on fathers a chapter on sons
    There are pages of conflicts that nobody won
    And the battles you lost and your bitter defeat,
    There’s a page where we fail to meet

    There are tales of good fortune that couldn’t be planned
    There’s a chapter on god that I don’t understand
    There’s a promise of Heaven and Hell but I’m damned if I see

    Though the pages are numbered
    I can’t see where they lead
    For the end is a mystery no-one can read
    In the book of my life

    Now the daylight’s returning
    And if one sentence is true
    All these pages are burning
    And all that’s left is you

    Though the pages are numbered
    I can’t see where they lead
    For the end is a mystery no-one can read
    In the book of my life

  2. Roseline

    That’s a nice observation, really. I immediately thought about Murakami also in the ‘each part is a story itself’-structure. And about the question: I gotta say live to live. Life is structured in small parts and you are the result of the parts.

book and sword : gratitude and revenge

is the first novel written by Jin Yong. The protagonist is Chan Ka Lok, who is the leader of the Red Flower Society. The book title refers to Ka Lok being famous for being well-versed in culture and martial arts, but also for having to make a difficult ethical decision. My father named me and my brother after him.

The subtitle is from a poem Desiderata